{"id":160,"date":"2013-06-09T20:42:10","date_gmt":"2013-06-09T20:42:10","guid":{"rendered":"https:\/\/erinwoodbrey.com\/?page_id=160"},"modified":"2026-06-30T23:50:57","modified_gmt":"2026-06-30T23:50:57","slug":"cv","status":"publish","type":"page","link":"https:\/\/erinwoodbrey.com\/?page_id=160","title":{"rendered":"CV"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><strong>SELECTED SOLO, TWO-PERSON EXHIBITIONS + INSTALLATIONS<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2027<\/strong><br>Solo Exhibition, curated by Megan Hinton, Provincetown Art Association and Museum, Provincetown, MA, USA (Upcoming)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2026<\/strong><br>Site Specific Installation, Xi Art Museum, Lucitopia Town, Fuzhou City, China (Upcoming)<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2025<\/strong><br><em>Midwives for a Geologic Afterlife<\/em>, INLAND, Hope, ME, USA<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2024<\/strong><br><em>Gardeners for a Geologic Afterlife<\/em>, Goethe-Institut, Boston, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2023<\/strong><br><em>Here After, <\/em>Two-person exhibition with Megan Biddle, Tiger Strikes Asteroid, Philadelphia, PA, USA<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2022<\/strong> <br>Wilder Alison + Erin Woodbrey, Gaa Gallery, Expo Chicago, Chicago, IL, USA<br><em>of the Sun<\/em>, Yes We Cannibal, Baton Rouge, LA, USA&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2021<\/strong> <br><em>Beacon (Walking to a place I have or have not been to before.),<\/em> 201 Telephone Box Gallery,&nbsp;St. Andrews, Scotland<br><em>The Continuing and Spreading Results of an Event or Action (Carrizozo, New Mexico),<\/em> Carrizozo AIR, Carrizozo, NM, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2019<\/strong> <br><em>The Fragment Series<\/em>, Gaa Gallery, Provincetown, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2018<\/strong> <br><em>Quill Isn\u2019t Staying Now,<\/em> Dani Leventhal ReStack + Erin Woodbrey, Gaa Gallery Project Space, Cologne, Germany<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2017<\/strong> <br><em>Time Mothers<\/em>, Gaa Gallery, Provincetown, MA, USA<br><em>Leg, Limber, Lumber Limb<\/em>, Higgins Art Gallery, Cape Cod Community College, Barnstable, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2016<\/strong> <br><em>Material Studies<\/em>, Arena Gallery, Liverpool, UK<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2015 <\/strong><br><em>Air of Another Planet<\/em>, Gaa Gallery, Wellfleet, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2014 <\/strong><br><em>Undercoat<\/em>, Gallery 10, Truro Center for the Arts, Truro, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>SELECTED GROUP EXHIBITIONS<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2026<\/strong><br><em>Life Forms: Change<\/em>, Sidle House, Freeport, ME, USA<br><em>Summer Exhibition<\/em>, Woods-Gerry Gallery, Rhode Island School of Design, Providence, RI, USA<br><br><strong>2025<\/strong><br><em>Summer Exhibition<\/em>, Woods-Gerry Gallery, Rhode Island School of Design, Providence, RI, USA<br><em>Waves of Change: Mark Adams, Duke Riley, Peter Hutchinson<\/em>, and Erin Woodbrey, Higgins Art Gallery, Cape Cod Community College, Barnstable, MA, USA<br><em>Films of Return<\/em>, A La Luz, Online exhibition<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2024<\/strong><br><em>Yu\u0161k\u00e1: Uncoil,<\/em> 27th Drawing Show, curated by Erin Genia, Boston Center for the Arts, Mills Gallery,&nbsp;Boston, MA, USA<br><em>Thicket,<\/em> Gaa Gallery, New York, NY, USA<br><em>Life Forms<\/em>, Corey Daniels Gallery, Wells, ME, USA<br><em>Erase the Strata<\/em>, Odd-Kin, curated by Kate McNamara, Providence, RI, USA<br><em>New Moon Playhouse<\/em>, curated by Eva Zasloff, Emily Auchincloss, and Jessica Shearer, The Barn,&nbsp;Arlington, MA, USA<br><em>Gather<\/em>, Speedwell Contemporary, Portland, ME, USA<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2023<\/strong><br><em>Friend of the Artist,<\/em> A.I.R Biennial, (as part of Peer Review), curated by Eriola Pira, A.I.R Gallery,&nbsp;Brooklyn, NY, USA<br><em>Biennial Exhibition<\/em>, selected by Misa Jeffereis and Sarah Montross, Center for Maine Contemporary Art, Rockland, ME, USA<br><em>YWC x Good Children<\/em>, curated by Yes We Cannibal, Good Children Gallery, New Orleans, LA, USA<br><em>Points of Return<\/em>, curated David Cass and Gonzaga G\u00f3mez-Cort\u00e1zar Romero Umbrella Arts Center,&nbsp;Concord, MA, USA<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2022 <\/strong><br><em>Sensing Place<\/em>, curated by Justine Kablack and Anna Queen, University of New England Art Gallery, Portland, Maine, USA<br><em>Points of Return<\/em>, curated by Joseph Calleja, Luce Choules, In\u00e9s Garc\u00eda, Bego\u00f1a Izquierdo,&nbsp;Anna Macleod, Miranda Massier, Elizabeth Monoian, Robert Ferry, Yasmine Ostendorf, organized by David Cass and Gonzaga G\u00f3mez-Cort\u00e1zar Romero, A La Luz, Online exhibition<br><em>Lichtung<\/em>, Gaa Gallery, Provincetown, MA, USA<br><em>Sister City<\/em> &#8211; Collaboration with Lizzie Thomson, Praxis Artspace, Adelaide, Australia<br><em>Assembly<\/em>, SPACE, Portland, ME, USA<br><em>Celebration<\/em>, Gaa Gallery, Provincetown, MA, USA<br><em>50th Anniversary Exhibition for Castle Hill<\/em>, Provincetown Art Association and Museum, Provincetown, MA, USA<br><em>Perfect For Those Who Aren\u2019t<\/em>, Group Exhibition with Graham Collins, Frank Jackson, Helen O\u2019Leary, and Erin Woodbrey, Teffia Gallery, Kingston, NY, USA<br><em>SMFA Art Sale Exhibition<\/em>, School of the Museum of Fine Arts, curated by Yng-Ru Chen, Juan Omar Rodriguez, Matthew Woodward, and Tiffany Shea York, Boston, MA, USA<br><em>A Good Jawn<\/em>, curated by Brittany Adeline King, White Columns, New York, NY, USA (Online)<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2021 <\/strong><br><em>EXPO CHGO<\/em>, virtual presentation with Gaa Gallery<br><em>Dazzleship<\/em>, Umbrella Arts Center, Concord, MA, USA<br><em>Found, Formed, Fused<\/em>, Cape Cod Museum of Art, Dennis, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2020<\/strong> <br><em>(im)materiality<\/em>, Gaa Gallery, Provincetown, MA, USA<br><em>Home as Situation<\/em>, Bolivar Art Gallery, School of Art + Visual Studies, University of Kentucky, Lexington, KY, USA, Online exhibition<br><em>Biennial Exhibition<\/em>, Center for Maine Contemporary Art, Rockland, ME, USA, selected by&nbsp;Nina Johnson-Milewski and Kate McNamara<br><em>Templates for Public Art<\/em>, Limited Time Engagement, Chicago, IL, USA, curated by Kate Conlon and Boyang Hou, Online Exhibition + Print Publication<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2019<\/strong> <br><em>Ain\u2019t No Use, Cry<\/em>baby, Berlin Germany, organized by Annelies Kamen and Samantha Bohatsch<br><em>zeit-geist-zeit<\/em>, Gaa Gallery, Wellfleet, MA, USA<br><em>Party Line<\/em>, 201 Telephone Box Gallery, St. Andrews, Scotland, curated by Lada Wilson<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2018<\/strong> <br><em>It went like this: the skyline was beautiful on fire<\/em>,&nbsp;Vermont College of Art, Montpelier, VT, USA,&nbsp;selected by Meg Onli<br><em>Concurrent Realities<\/em>,&nbsp;Gaa Gallery, Provincetown, MA, USA<br><em>Biennial Exhibition<\/em>, Center for Maine Contemporary Art, Rockland, ME, USA, selected by Kate Green and Robin K. Williams<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2018<\/strong> <br><em>Gary Kuehn, Dani Leventhal ReStack + Erin Woodbrey,<\/em> Code Art Fair, Copenhagen, Denmark<br><em>Supplemental Light<\/em>,&nbsp;S\u00cdM Gallery, Reykjav\u00edk, Iceland<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2017<\/strong> <br><em>Out of the Blue<\/em>, Greylight Projects,Hoensbroek, Netherlands<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2016<\/strong> <br><em>Internationale Papierkunstbiennale,<\/em> Haacht, Belgium<br><em>Group Exhibition,<\/em> Gaa Projects, Cologne, Germany<br><em>Poetics of the Landscape<\/em>, Gaa Gallery, Provincetown, MA, USA<br><em>Summertime<\/em>, Gaa Gallery, Wellfleet, MA, USA<br><em>Beneath Metropolis<\/em>, Blue Star Contemporary Art Museum, San Antonio, TX, USA<br><em>The Grass is Green<\/em>, Gaa Projects, Cologne, Germany<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2015<\/strong> <br><em>A Call For Drawings<\/em>, University of the Arts Utrecht, Basis Voor Actuele Kunst, Utrecht, Netherlands<br><em>Earth to Earth<\/em>, Higgins Art Gallery, Cape Cod Community College, Barnstable, MA, USA<br><em>Group Exhibition<\/em>, Gaa Gallery, Wellfleet, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2014<\/strong> <br><em>New Prints Benefit Exhibition<\/em>, International Print Center New York, NY, USA<br><em>Clouds<\/em>, ArtStrand, Provincetown, MA, USA<br><em>Reflections of Now<\/em>, Gallery at Castle Hill Truro Center for the Arts, Truro, MA, USA<br><em>MFA Thesis Exhibition<\/em>, Sullivan Galleries, Chicago, IL, USA<br><em>Beyond the Screen<\/em>, School of the Art Institute of Chicago, Chicago, IL, USA<br><em>Starwalker<\/em>, Threewalls, Chicago, IL, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2013<\/strong> <br><em>Transitions<\/em>, Schingoethe Museum and Art Gallery at Aurora University, Aurora, IL, USA<br><em>Video Trail Mix<\/em>, Tritriangle, Chicago, IL, USA<br><em>New Narratives<\/em>, International Print Center, New York, NY, USA, selected by Andrew Raftery<br><em>Monumental Ideas in Miniature Books<\/em>:<em>One: Selected Works<\/em>, La Biblioteca Nacional de Espa\u00f1a, Madrid, Spain<br><em>Paper &#8211; Tradition and Experiment<\/em>, Arka Gallery, Vilnius, Lithuania<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2012<\/strong> <br>Printmaking Exhibition, Art Works Gallery, New Bedford, MA, USA<br>Black, White &amp; Read, Dadian Gallery, Washington, DC, USA<br><em>Fresh Paint<\/em>, New Art Center, Newton, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2011<\/strong> <br><em>For Love, Not Money<\/em>, Tallinn Print Triennial, Kumu Art Museum, Tallinn, Estonia<br><em>Boston Printmakers: North American Print Biennial<\/em>, The Danforth Museum of Art, Framingham, MA, USA<br><em>Imprints<\/em>, Cotuit Center for the Arts, Cotuit, MA, USA<br><em>Transferred,<\/em> Target Gallery at the Torpedo Factory Arts Center, Alexandria, VA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2010<\/strong> <br><em>New Prints: Winter 2010,<\/em> International Print Center, New York, NY, USA, selected by Alexander Campos, Michele Oka Doner, Kathleen Flynn, Shelley Langdale, Dwight E. Lee, and Leslie Miller<br><em>New Prints: Part II,<\/em> Meyerson Gallery, University of Pennsylvania, Philadelphia, PA, USA<br><em>Group Exhibition<\/em>, Printmakers of Cape Cod, Cape Cod Museum of Art, Dennis, MA, USA<br><em>Food &amp; Form<\/em>, Dadian Gallery, Washington, DC, USA<br><em>Recent Gifts to the Collection<\/em>, Provincetown Art Association Museum, Provincetown, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2009<\/strong> <br><em>Monumental Ideas in a Miniature Book<\/em>, (Traveling Exhibition 2009-2012), Southern Graphics Council, Global Implications, Columbia College, Chicago, IL, Yonsei University, Seoul, Korea,&nbsp;<br>The University of Granada, Spain, China Academy of Art, Hang Zhou, China,&nbsp; Proyecto Ace, Buenos Aires, Argentina<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2008<\/strong> <br><em>Animalia<\/em>, Women\u2019s Studio Workshop Gallery, Rosendale, NY, USA<br><em>Printed Matter,<\/em> Ann Street Gallery, Newburgh, NY, USA<br><em>LO! A Collection of Secreted Tales and Objects of Wonder<\/em>, Machines with Magnets Gallery,&nbsp;Pawtucket, RI, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>SELECTED AWARDS + RESIDENCIES<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2026 <\/strong><br>Visiting Artist, American Academy in Rome, Rome Italy<br>Eliza Moore Fellowship for Artistic Excellence, Oak Spring Garden Foundation, Upperville, VA, USA<br>Artist in Residence, Oak Spring Garden Foundation, Upperville, VA, USA (Upcoming)<br>Artist in Residence, Xi Art Museum, Lucitopia Town, Fuzhou City, China (Upcoming)<br><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2025<\/strong><br>Artist in Residence, Rondo, M\u00e9xico City, M\u00e9xico<br>Full Scholarship to attend <em>Plant Wisdom<\/em> Workshop, Oak Spring Garden Foundation, Upperville, VA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2024<\/strong><br>Studio 170 Residency, Goethe-Institut, Boston, MA, USA<br>Artist in Residence, Cuttyhunk Island Residency, Merit Scholarship, Cuttyhunk, MA, USA<br>Artist in Residence, The Wedding Cake House at Dirt Palace, Providence, RI, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2023<\/strong><br>Visiting Artist, University of Maine, Orono, ME, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2022<\/strong> <br>Artist in Residence, Yes We Cannibal, Baton Rouge, LA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2021 <\/strong><br>Artist in Residence, Carrizozo A.I.R, Carrizozo, NM, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2020<\/strong> <br>Artist in Residence, Massachusetts Museum of Contemporary Art (MassMoCA), North Adams, MA, USA<br>A4A Grant, MassMoCA, North Adams, MA, USA<br>Visiting Artist, Judy Pfaff Foundation, Tivoli, NY, USA<br>Visiting Artist, School of the Museum of Fine Arts at Tufts University<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2019<\/strong> <br>Artist in Residence, Hospitalfield, Arbroath, Angus, Scotland<br>Visiting Artist, Swiss Federal Institute for Forest, Snow, and Landscape Research, Z\u00fcrich, Switzerland<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2018<\/strong> <br>Artist in Residence, Samband \u00edslenskra myndlistarmanna (S\u00cdM), Reykjav\u00edk, Iceland<br>Traveling Fellowship, School of the Museum of Fine arts at Tufts University<br>Visiting Artist, Swiss Federal Institute for Forest, Snow, and Landscape Research, Z\u00fcrich, Switzerland<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2017<\/strong> <br>Artist In Residence, Gaa Gallery Project Space, Cologne, Germany<br>Vermont Studio Center Fellowship, Johnson, VT, USA<br>Visiting Artist Cape Cod Community College, Barnstable, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2016<\/strong> <br>Beers London &#8211; Contemporary Visions VII &#8211; Shortlist<br>Artist In Residence, Arena Gallery, Liverpool, United Kingdom<br>Artist in Residence, Burren College of Art, Ballyvaughan, Co.Clare, Ireland<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2014<\/strong> <br>Finalist for Fulbright &#8211; Nehru Fellowship<br>Visiting Artist, School of the Museum of Fine Arts at Tufts University, Boston, MA, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>2012<\/strong> <br>New Artist Society Trustee, Merit Scholarship, School of the Art Institute of Chicago, IL, USA<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>PUBLIC COLLECTIONS<\/strong><br>Columbia College, Chicago, IL, USA<br>Fundaci\u00f3n\u00b4ace Art Collection, Proyecto\u2019ace, Buenos Aires Argentina<br>Hebron Academy Permanent Collection, Hebron, ME, USA<br>Hospitalfield, Arbroath, Angus, Scotland<br>Meyers College of Art at the University of Akron, Akron, OH, USA<br>Provincetown Art Association and Museum, Provincetown, MA, USA<br>Rondo, Mexico City, Mexico<br>Southern Graphics Council Archives at the University of Mississippi, University Museum, Oxford MS, USA<br>Women\u2019s Studio Workshop, Rosendale, NY, USA<br><br><br><strong>TEACHING + LECTURES<\/strong><br>Rhode Island School of Design, Providence, RI, Instructor, 2025 &#8211; Present<br>Tufts University, University Ecologies and the Question of the Commons,\u00a0Medford, MA, USA, Panelist, October 2025<br>University of Southern Maine, Gorham, ME, USA, Visiting Artist,February 2026<br>University of Maine, Orono, ME, USA, Visiting Artist,  September 2023<br>The School of the Museum of Fine Arts at Tufts University, Visiting Artist,  October 2020, September 2014<br>The School of the Art Institute of Chicago, Chicago, IL, Graduate Teaching Assistant, 2012 &#8211; 2014<br>The School of the Museum of Fine Arts at Tufts University, Boston, MA, Visiting Faculty, 2011<br>Truro Center for the Arts at Castle Hill, Truro, MA, Instructor, 2008 &#8211; 2012<br>Womens Studio Workshop, Art in Ed instructor, 2007 &#8211; 2008<br>The School of the Museum of Fine Arts at Tufts University, Boston, MA, Teaching Assistant, 2006 &#8211; 2007<br><br><strong><br><strong>SELECTED PRESS + PUBLICATIONS + WORKS CITED\u00a0<\/strong><\/strong><br><strong>2026 <\/strong><br><em>Sex Camel<\/em>, Muggs Fogarty, cover art for a collection of poems<br><br><strong>2025<\/strong><br><em>Unfixing and Other Rumors<\/em>, essay by Annika Early for solo exhibition <em>Midwives for a Geologic Afterlife<\/em>, INLAND<br><br><strong>2024 <\/strong><br><em>Turning Over the Soil: Erin Woodbrey<\/em>, Danna Lorch, News &amp; Stories, SMFA | Tufts<br><em>Gardeners for a Geologic Afterlife<\/em>, publication for exhibition at Goethe-Institut Boston<br>Women\u2019s sculpture collective debuts work in Wells by Jorge S. Arango, Portland Press Herald<br><br><strong>2023 <\/strong><br><em>Peer Review Vol. I<\/em>, publication included in the A.I.R Biennial<br><em>The Old, the New, the Fossil: Megan Biddle + Erin Woodbrey\u2019s Here After <\/em>essay by Leah Triplett Harrington<br><br><strong>2022<\/strong> <br><em>As So Above Below<\/em>, artist book in collaboration with Lizzie Thomson<br><em>Sister<\/em> <em>City<\/em>, exhibition catalog published Andrea Przygonski for Praxis Art Space, Adelaide, Australia\u00a0<br>Art review: Space, ICA mark anniversaries with exemplary shows, by Jorge S. Arango, Portland Press Herald<br><br><strong>2021<\/strong><br><em>Curator Lead Tour &#8211; Collecting International Artists<\/em>, with Marcella Beccaria, Chief Curator and Curator of Collections at Castello di Rivoli Museo d\u2019Arte Contemporanea, EXPO CHGO<br><em>Provincetown Contemporary,<\/em> by Megan Hinton, Provincetown Arts Magazine<br><em>CMCA Biennial 2020, <\/em>by Carl Little, Art New England<br><em>Bio Politics. <\/em>Science for the People, Vol. 23 No. 3, artwork images accompanying the essay\u00a0<em>Make Oursleves Anew: Towards a Radical Biology<\/em>, Kriti Sharma<br><em>A Day in Concord: \u2018Dazzelship\u2019 and \u2018(Un)Seen\u2019<\/em>, by Sawyer Smook-Pollitt, Artscope Magazine<br><em>A Voyage on the Cape: Cape Cod Museum of Art<\/em>, by Sawyer Smook-Pollitt, Artscope Magazine<br><br><strong>2020<\/strong> <br><em>Templates for Public Art,<\/em> Limited Time Engagement<br><br><strong>2019<\/strong> <br><em>The (thuh) Listening (li\u00b7suh\u00b7nuhng) Times (taimz),<\/em> print on newspaper published by Erin Woodbrey for <em>Party Line, <\/em>201 Telephone Box Gallery<br><br><strong>2019<\/strong> <br>KubaParis,<em>Ain\u2019t No Use @ Crybaby<\/em><br><em>Spotlight Review: CMCA Biennial <\/em>by Carl Little, Art New England<br><br><strong>2018<\/strong> <br><em>Warmest Blue,<\/em> artist book published by Erin Woodbrey<br><em>Art review: The 2018 CMCA Biennial is good and messy <\/em>by Daniel Kany, Portland Press Herald<br><em>Leg, Limber, Lumber,<\/em> Limb, artist book by Erin Woodbrey<br><br><strong>2017<\/strong> <br><em>Erin Woodbrey: Leg, Limber, Lumber, Limb<\/em>, Reviewed by John Pyper, Delicious Line<br><em>The Time Mother<\/em>, Take Magazine, Essay by Alexa Harrison<br><em>Time Mothers<\/em>, essay by Kirsten Andersen<br><em>Time Mother,<\/em> artist book published by Erin Woodbrey<br><br><strong>2016<\/strong> <br><em>The Grass is Green<\/em>, Gaa Gallery Project Space, Cologne<br><br><strong>2014<\/strong> <br><em>Like This, <\/em>artist book published by Erin Woodbrey<br><em>MFA Catalog, <\/em>published by Printmedia Department at the School of the Art Institute of Chicago,\u00a0Designed by Alex Valentine III, Cover printed by Todd Rau<br><br><strong>2013<\/strong> <br><em>Have and Have, <\/em>artist book published by Erin Woodbrey<br><br><strong>2010<\/strong> <br><em>New Prints: Winter 2010<\/em>, International Print Center New York, Essay by Michele Oka Doner<br><br><strong>2009<\/strong> <br><em>The Domestic Tarot<\/em>, Artist Book Edition<br><em>Monumental Ideas in Miniature Books<\/em> Essay by Hui-Chu Ying, Curated by Hui-Chu Ying<br><br><strong>2008<\/strong> <br><em>Voice to Vision<\/em>, Women\u2019s Studio Workshop<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SELECTED SOLO, TWO-PERSON EXHIBITIONS + INSTALLATIONS 2027Solo Exhibition, curated by Megan Hinton, Provincetown Art Association and Museum, Provincetown, MA, USA (Upcoming) 2026Site Specific Installation, Xi Art Museum, Lucitopia Town, Fuzhou City, China (Upcoming) 2025Midwives for a Geologic Afterlife, INLAND, Hope, ME, USA 2024Gardeners for a Geologic Afterlife, Goethe-Institut, Boston, MA, USA 2023Here After, Two-person exhibition [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-160","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/pages\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":104,"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions"}],"predecessor-version":[{"id":2644,"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions\/2644"}],"wp:attachment":[{"href":"https:\/\/erinwoodbrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}